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Screenshot : «Vape Wave», «6 Days», «Alphonse Président»… - Culture / Next
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</symbol><!-- SOCIAL ICON -->
<symbol id="icon-facebook" viewbox="0 0 20 20">
<title>
Facebook
</title>
<path d="M5.7 7h1.8v-1.8000000000000003c0-.8 0-2 .6-2.8.6-.7 1.5-1.3 2.9-1.3 2.3 0 3.3.3 3.3.3l-.5 2.7s-.8-.2-1.5-.2-1.3.3-1.3 1v2.1h2.9l-.2 2.7h-2.7v9.2h-3.5v-9.2h-1.8v-2.7z"></path>
</symbol>
<symbol id="icon-whatsapp" viewbox="15 15 80.000000 80.000000">
<title>
Whatsapp
</title>
<g transform="matrix(1.25 0 0 -1.25 0 109.553)">
<path d="M58.113 37.793c-.752.412-4.45 2.407-5.143 2.69-.693.28-1.2.428-1.738-.32-.54-.747-2.074-2.418-2.54-2.913-.466-.495-.915-.54-1.667-.128-.752.41-3.192 1.314-6.02 4.033-2.202 2.116-3.646 4.683-4.065 5.467-.42.783-.003 1.183.395 1.55.358.33.8.867 1.2 1.3.4.433.54.747.814 1.25.272.5.16.953-.016 1.343-.178.39-1.57 4.22-2.15 5.777-.58 1.557-1.23 1.326-1.676 1.343-.448.017-.957.1-1.468.12-.51.018-1.348-.142-2.08-.884-.73-.736-2.78-2.516-2.92-6.29-.14-3.77 2.467-7.514 2.83-8.04.365-.524 4.983-8.7 12.658-12.06 7.677-3.36 7.716-2.335 9.125-2.26 1.41.075 4.604 1.685 5.31 3.45.706 1.764.763 3.3.583 3.626-.18.326-.684.538-1.435.95m-14.075-18.17a24.858 24.858 0 0 0-13.75 4.13l-9.604-3.073 3.123 9.28a24.86 24.86 0 0 0-4.76 14.654c0 13.782 11.212 24.993 24.992 24.993 13.78 0 24.992-11.21 24.992-24.994 0-13.78-11.213-24.99-24.994-24.99m0 55.012c-16.58 0-30.02-13.44-30.02-30.022a29.893 29.893 0 0 1 4.307-15.502L12.9 13.008l16.623 5.32a29.897 29.897 0 0 1 14.51-3.733c16.58 0 30.022 13.442 30.022 30.02 0 16.582-13.443 30.023-30.023 30.023" fill-rule="evenodd"></path>
</g>
</symbol>
<symbol id="icon-twitter" viewbox="0 0 20 20">
<title>
Twitter
</title>
<path d="M19.5 4.1c-.7.3-1.5.5-2.2.6.8-.5 1.4-1.2 1.7-2.2-.8.4-1.6.8-2.5.9-.7-.8-1.7-1.2-2.8-1.2-2.2 0-3.9 1.7-3.9 3.9 0 .3 0 .6.1.9-3.3-.1-6.2-1.7-8.1-4-.3.6-.5 1.2-.5 2 0 1.3.7 2.5 1.7 3.2-.6 0-1.2-.2-1.7-.5 0 1.9 1.3 3.5 3.1 3.8-.3.1-.7.1-1 .1-.3 0-.5 0-.7-.1.5 1.5 1.9 2.7 3.6 2.7-1.3 1-3 1.7-4.8 1.7-.3 0-.6 0-.9-.1 1.7 1.1 3.8 1.8 6 1.8 7.2 0 11.1-5.9 11.1-11.1v-.5c.6-.4 1.3-1.1 1.8-1.9"></path>
</symbol>
<symbol id="icon-insta" viewbox="0 0 20 20">
<title>
insta
</title>
<path d="M14.6 2.5h-9.2c-1.6 0-2.9 1.3-2.9 2.9v9.3c0 1.6 1.3 2.9 2.9 2.9h9.3c1.6 0 2.9-1.3 2.9-2.9v-9.3c-.1-1.6-1.4-2.9-3-2.9zm.9 1.7h.3v2.5h-2.5v-2.6l2.2.1zm-7.7 4.3c.5-.7 1.3-1.2 2.2-1.2.9 0 1.7.4 2.2 1.1.3.4.5 1 .5 1.5 0 1.5-1.2 2.7-2.7 2.7s-2.7-1.1-2.7-2.6c0-.6.2-1.1.5-1.5zm8.3 6.1c0 .8-.6 1.4-1.4 1.4h-9.3c-.8 0-1.4-.6-1.4-1.4v-6.1h2.3c-.3.4-.4 1-.4 1.5 0 2.3 1.9 4.1 4.1 4.1 2.3 0 4.1-1.9 4.1-4.1 0-.5-.1-1.1-.3-1.5h2.3v6.1z"></path>
</symbol>
<symbol id="icon-vine" viewbox="0 0 20 20">
<title>
vine
</title>
<path d="M17 10c-.4.1-.8.1-1.2.1-2 0-3.6-1.4-3.6-3.9 0-1.2.5-1.8 1.1-1.8.6 0 1 .6 1 1.7 0 .6-.2 1.4-.3 1.8 0 0 .6 1.1 2.3.8.5-.9.7-1.9.7-2.8 0-2.5-1.2-3.9-3.5-3.9-2.4 0-3.7 1.8-3.7 4.2 0 2.4 1.1 4.4 2.9 5.3-.8 1.5-1.7 2.9-2.8 3.9-1.8-2.2-3.5-5.2-4.2-11h-2.7c1.3 9.7 5 12.8 6 13.4.6.3 1 .3 1.6 0 .8-.5 3.2-2.9 4.6-5.7.6 0 1.2-.1 1.9-.2v-1.9z"></path>
</symbol>
<symbol id="icon-later" viewbox="0 0 16 22">
<title>
later
</title>
<path d="M13.5 4.5h-11c0 3.4 2.1 6 5.5 6s5.5-2.6 5.5-6m-3.5 3h-4c-.7 0-1.2-.8-2-2h8c-.8 1.1-1.4 2-2 2"></path>
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<path d="M9 10.5h-2v1h2z"></path>
</symbol>
<symbol id="icon-glass" viewbox="0 0 37 22">
<title>
glass
</title>
<path d="M27.8 4.5c-3.5 0-6.6 2-8.9 2-2.3 0-5.7-2-9.2-2s-4.2.2-9.2 1v1s2.3.1 2.3 4c0 3.5 3.5 7 7.1 7 3.6 0 7-2.5 7-5.9 0-3.4 2.1-3.1 2.1-3.1s2-.2 2 3c0 4.3 3.4 6 7 6s6.7-3.6 6.7-7.1c0-3.7 1.8-3.9 1.8-3.9v-1c-5-.8-5.2-1-8.7-1m-17.8 11c-2.9 0-5-1.8-5-4 0-2.8.5-3.5 1-4s2-1 4-1c1.8 0 3.5.7 4 1 1 .7 1 2.9 1 4 0 2.2-2.1 4-5 4m18 0c-2.9 0-5-1.8-5-4 0-1.1 0-3.3 1-4 .5-.3 2.2-1 4-1 2 0 3.5.5 4 1s1 1.2 1 4c0 2.2-2.1 4-5 4M9.5 8v1.5c2 0 2.5 1 2.5 2h1.5c0-3-1-3.5-4-3.5M27.5 8v1.5c2 0 2.5 1 2.5 2h1.5c0-3.1-1-3.5-4-3.5"></path>
</symbol>
<symbol id="icon-mail" viewbox="0 0 21 22">
<title>
Mail
</title>
<path d="M14.5 11.5l-4 3-4-3-6 6h20zM.5 6.5v9l5-5zM20.5 15.5v-9l-5 4zM20.5 4.5h-20l10 8z"></path>
</symbol>
<symbol id="icon-print" viewbox="0 0 27 22">
<title>
print
</title>
<path d="M23 6h-19c-1.6 0-3 1.3-3 3v4c0 1.7 1.4 3 3 3h2v-5h15v5h2c1.6 0 3-1.3 3-3v-4c0-1.7-1.4-3-3-3m1 4h-2v-2h2v2zM8 0h11v5h-11zM8 22h11v-10h-11v10zm9-3h-3v-1h3v1zm-6-4h6v1h-6v-1z"></path>
</symbol>
<symbol id="icon-losange-facebook" viewbox="0 0 116 43">
<title>
Facebook
</title>
<path d="M58 .6l-57.3 20.8 57.3 21 57.3-21-57.3-20.8zm1.7 20.9v8h-4v-8h-1v-3h1v-1.5c0-1.3.8-3.3 3.4-3.3h2.6v2.8h-1.8c-.3 0-.2 0-.2.6v1.4h1.9l-.3 3h-1.6z"></path>
</symbol>
<symbol id="icon-losange-insta" viewbox="0 0 116 43">
<title>
Instagram
</title>
<path d="M62.8 21.4c0 2.6-2.1 4.8-4.8 4.8-2.6 0-4.8-2.2-4.8-4.8 0-.6.1-.9.3-1.9h-3.1v7.3c0 .9 1.2 1.7 2.2 1.7h10.7c.9 0 2.2-.7 2.2-1.7v-7.3h-3.1c.2 1 .4 1.3.4 1.9zM58 24.6c1.7 0 3.1-1.4 3.1-3.1 0-.7-.2-1.3-.6-1.8-.6-.8-1.5-1.3-2.5-1.3s-1.9.5-2.5 1.3c-.4.5-.6 1.1-.6 1.8 0 1.7 1.4 3.1 3.1 3.1zM64.5 17.8v-3h-2.8l-.1 3zM58 .6l-57.3 20.8 57.3 21 57.3-21-57.3-20.8zm8.5 26.2c0 1.9-1.3 3.7-3.2 3.7h-10.6c-1.9 0-3.2-1.8-3.2-3.7v-10.6c0-1.9 1.3-3.7 3.2-3.7h10.7c1.9 0 3.2 1.8 3.2 3.7v10.6z"></path>
</symbol>
<symbol id="icon-losange-twitter" viewbox="0 0 116 43">
<title>
Twitter
</title>
<path d="M58 .6l-57.3 20.8 57.3 21 57.3-21-57.3-20.8zm6.5 18c0 4.4-3.4 9.6-9.6 9.6-1.9 0-3.7-.6-5.2-1.5h.8c1.6 0 3-.5 4.2-1.4-1.5 0-2.7-1-3.1-2.3l.6.1c.3 0 .5 0 .7-.1-1.5-.3-2.8-1.7-2.8-3.3 0 .3 1.1.4 1.7.4-.9-.6-1.4-1.6-1.4-2.8 0-.6.2-1.2.5-1.7 1.7 2 4.2 3.4 7 3.5-.1-.2-.1-.5-.1-.8 0-1.9 1.5-3.4 3.4-3.4 1 0 1.8.4 2.5 1.1.8-.2 1.5-.4 2.1-.8-.3.8-.8 1.4-1.5 1.9.7-.1 1.3-.3 1.9-.5-.5.7-1 1.3-1.7 1.7v.3z"></path>
</symbol><!-- READER -->
<symbol id="icon-reader-calendar" viewbox="0 0 31 40">
<title>
Calendar
</title>
<path d="M1 7v26h29v-26h-29zm2 8h7v7h-7v-7zm9 0h7v7h-7v-7zm-9 16v-7h7v7h-7zm9 0v-7h7v7h-7zm16 0h-7v-7h7v7zm0-9h-7v-7h7v7zm-7-9h-18v-4h25v4h-7z"></path>
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<symbol id="icon-reader-download" viewbox="0 0 29 40">
<title>
download
</title>
<path d="M10 19.9l5.2 5.2 5.1-5.2-1.4-1.4-2.9 2.7v-19.2h-2v19l-2.6-2.5zM18 8v2h8v21h-23v-21h9v-2h-11v25h27v-25z"></path>
</symbol>
<symbol id="icon-reader-cross" viewbox="0 0 40 45">
<title>
cross
</title>
<path stroke-miterlimit="10" fill="none" d="M35.2 7.3l-30.4 30.4M35.2 37.7l-30.4-30.4"></path>
</symbol>
<symbol id="icon-reader-zoom-in" viewbox="0 0 43 45">
<title>
zoom-in
</title>
<g stroke="#fff" stroke-miterlimit="10" fill="none">
<circle stroke-width="1.2" cx="21.5" cy="22.5" r="20"></circle>
<path stroke-linecap="round" d="M22.1 16.1v14M29.6 22.6h-15"></path>
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</symbol>
<symbol id="icon-reader-zoom-out" viewbox="0 0 43 45">
<title>
zoom-out
</title>
<g stroke="#fff" stroke-miterlimit="10" fill="none">
<circle stroke-width="1.2" cx="21.5" cy="22.5" r="20"></circle>
<path stroke-linecap="round" d="M29.6 22.6h-15"></path>
</g>
</symbol><!-- READER -->
<symbol id="icon-viewer-previous" viewbox="0 0 20.7 40.8">
<title>
previous
</title>
<path fill="#878787" d="M.4.4l20 20"></path>
<path stroke="#fff" stroke-miterlimit="10" d="M.4.4l20 20" fill="none"></path>
<path fill="#878787" d="M20.4 20.4l-20 20"></path>
<path stroke="#fff" stroke-miterlimit="10" d="M20.4 20.4l-20 20" fill="none"></path>
</symbol>
<symbol id="icon-viewer-next" viewbox="0 0 20.7 40.8">
<title>
next
</title>
<path fill="#878787" d="M20.4 40.4l-20-20"></path>
<path stroke="#fff" stroke-miterlimit="10" d="M20.4 40.4l-20-20" fill="none"></path>
<path fill="#878787" d="M.4 20.4l20-20"></path>
<path stroke="#fff" stroke-miterlimit="10" d="M.4 20.4l20-20" fill="none"></path>
</symbol><!-- EBOOK -->
<symbol id="icon-truck" viewbox="0 0 29 21">
<title>
truck
</title>
<g stroke="#000" stroke-miterlimit="10" fill="none">
<circle stroke-width="2" stroke-linecap="round" cx="6.6" cy="16.3" r="2.8"></circle>
<path stroke-width="1.5" stroke-linejoin="round" d="M24.1 7.3l-2.1-5.6h-20.3v14h2.2c.3-1.2 1.4-2.1 2.7-2.1s2.4.9 2.7 2.1h10c.3-1.2 1.4-2.1 2.7-2.1 1.3 0 2.4.9 2.7 2.1h2.5v-6.3l-3.1-2.1z"></path>
<circle stroke-width="2" stroke-linecap="round" cx="22" cy="16.3" r="2.8"></circle>
<path stroke-width="2" stroke-linejoin="round" d="M26.2 8.7h-10v-4h7"></path>
</g>
</symbol>
<symbol id="icon-visa" viewbox="0 0 27 20">
<title>
visa
</title>
<g fill-rule="evenodd" clip-rule="evenodd">
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</symbol>
<symbol id="icon-mastercard" viewbox="0 0 26 20">
<title>
mastercard
</title>
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</symbol><!-- USER MENU -->
<symbol id="icon-user-libe" viewbox="0 0 34 30">
<title>
user-libe
</title>
<path d="M17 21.2h-.2l-15.5-5.7c-.2-.1-.4-.3-.4-.6s.2-.5.4-.6l15.5-5.6h.4l15.5 5.6c.2.1.4.3.4.6s-.2.5-.4.6l-15.5 5.7h-.2zm-13.7-6.2l13.7 5 13.7-5-13.7-5-13.7 5z"></path>
</symbol>
<symbol id="icon-user-doc" viewbox="0 0 30 30">
<title>
user-doc
</title>
<path fill="#fff" d="M22 6v18h-14v-18h14m0-1h-14c-.5 0-1 .5-1 1v18c0 .5.5 1 1 1h14c.5 0 1-.5 1-1v-18c0-.5-.5-1-1-1zM10 9h10v1h-10zM10 12h10v1h-10zM10 15h10v1h-10zM10 18h6v1h-6z"></path>
</symbol>
<symbol id="icon-user-doc-list" viewbox="0 0 30 30">
<title>
user-doc-list
</title>
<path d="M22.5 5.5v19h-15v-19h15m0-1h-15c-.5 0-1 .5-1 1v19c0 .5.5 1 1 1h15c.5 0 1-.5 1-1v-19c0-.5-.5-1-1-1zm-13 5h6.8v1h-6.8zm0 5h6.8v1h-6.8zm0 5h6.8v1h-6.8z"></path>
<circle cx="19.4" cy="10" r="1.1"></circle>
<circle cx="19.4" cy="14.8" r="1.1"></circle>
<circle cx="19.4" cy="19.7" r="1.1"></circle>
</symbol>
<symbol id="icon-user-mail" viewbox="0 0 30 30">
<title>
user-mail
</title>
<path fill="#fff" d="M23.6 8.2v13.6h-17.2v-13.6h17.2m0-1h-17.2c-.5 0-1 .5-1 1v13.6c0 .5.5 1 1 1h17.2c.5 0 1-.5 1-1v-13.6c0-.5-.5-1-1-1z"></path>
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</symbol>
<symbol id="icon-user-security" viewbox="0 0 30 30">
<title>
user-security
</title>
<path d="M19 13v-4c0-2.2-1.8-4-4-4s-4 1.8-4 4v4h-2v11h12v-11h-2zm-7-4c0-1.6 1.4-3 3-3s3 1.4 3 3v4h-6v-4zm8 14h-10v-9h10v9zM12 16h6v1h-6zM12 19h6v1h-6z"></path>
</symbol>
<symbol id="icon-user-settings" viewbox="0 0 30 30">
<title>
user-settings
</title>
<path stroke="#fff" stroke-linejoin="round" stroke-miterlimit="10" d="M21.5 14.9v-.6l2-1-1-2.3-1.9.5c-.5-.9-1.3-1.6-2.2-2.2l.6-2-2.3-.9-1 1.9h-.6c-.8 0-1.5.1-2.2.4l-1.5-1.7-2 1.4 1 1.9c-.6.7-1.2 1.5-1.5 2.4h-2.1l-.2 2.4 2.1.5c.1 1 .5 1.8 1 2.6l-1.4 1.8 1.8 1.7 1.7-1.2c.7.4 1.5.7 2.3.8l.6 2.2 2.4-.2v-2.2c1-.3 1.8-.7 2.5-1.5l1.9 1 1.3-2-1.7-1.4c.2-.7.4-1.5.4-2.3zm-6.5 2.5c-1.3 0-2.4-1.1-2.4-2.4 0-1.3 1.1-2.4 2.4-2.4 1.3 0 2.4 1.1 2.4 2.4 0 1.3-1.1 2.4-2.4 2.4z" fill="none"></path>
</symbol>
<symbol id="icon-user-shop" viewbox="0 0 30 30">
<title>
user-shop
</title>
<path fill="#fff" d="M21.2 8.7l-.8 7.8h-13.3l-1.6-7.8h15.7m1.1-1h-18l2 9.8h15l1-9.8zM15.3 8.7h1v7.8h-1zM10.3 8.7h1v7.8h-1z"></path>
<path stroke="#fff" stroke-linecap="round" stroke-linejoin="round" stroke-miterlimit="10" fill="none" d="M25.2 5.6h-2.9l-1.7 14.6h-13.9"></path>
<circle fill="#fff" cx="10" cy="23.3" r="1.7"></circle>
<circle fill="#fff" cx="17.6" cy="23.3" r="1.7"></circle>
</symbol>
<symbol id="icon-user-star" viewbox="0 0 30 30">
<title>
user-star
</title>
<path fill="#fff" d="M15 9.2l1.3 4h4.2l-3.4 2.5 1.3 4-3.4-2.5-3.4 2.5 1.3-4-3.4-2.5h4.2l1.3-4m0-1c-.4 0-.8.3-1 .7l-1 3.3h-3.5c-.4 0-.8.3-1 .7-.1.4 0 .9.4 1.1l2.8 2.1-1.1 3.3c-.1.4 0 .9.4 1.1.2.1.4.2.6.2s.4-.1.6-.2l2.8-2.1 2.8 2.1c.2.1.4.2.6.2s.4-.1.6-.2c.4-.3.5-.7.4-1.1l-1.1-3.3 2.8-2.1c.4-.3.5-.7.4-1.1-.1-.4-.5-.7-1-.7h-3.5l-1-3.3c-.2-.5-.6-.7-1-.7z"></path>
<circle stroke="#fff" stroke-width="1.5" stroke-linejoin="round" stroke-miterlimit="10" cx="15" cy="15" r="12" fill="none"></circle>
</symbol><!-- ABO -->
<symbol id="icon-abo-ribbon" viewbox="0 0 15 24">
<title>
Ruban abo
</title>
<path fill="#fff" d="M13.2 23c-.2 0-.4-.1-.5-.2l-5.2-5.3-5.2 5.3c-.2.2-.5.3-.8.2-.3-.2-.5-.4-.5-.7v-20.5c0-.2.1-.4.2-.5s.4-.3.6-.3h11.5c.4 0 .7.3.7.7v20.5c0 .3-.2.6-.5.7-.1.1-.2.1-.3.1zm-5.7-7.4c.2 0 .4.1.5.2l4.5 4.7v-18l-10-.1v17.9l4.5-4.4c.1-.2.3-.3.5-.3z"></path>
</symbol>
<symbol id="icon-gold-diamond" viewbox="0 0 40 15">
<title>
Losange orange
</title>
<path fill="#F7AF13" d="M.8 7.5l19.2-7 19.2 7-19.2 7-19.2-7"></path>
</symbol>
<symbol id="icon-list-check" viewbox="0 0 20 15">
<title>
List check
</title>
<path fill="#00BC84" d="M1.54 6.758l2.828-2.828 5.657 5.657-2.828 2.828zM5.743 11.051l9.899-9.899 2.828 2.828-9.899 9.899z"></path>
</symbol>
<symbol id="icon-most-read" viewbox="0 0 94 161">
<title>
Most read
</title>
<path fill="#1D1D1B" d="M47 .3l-46.3 80.2 46.3 80.2 46.3-80.2z"></path>
</symbol>
<symbol id="icon-ptit-libe" viewbox="-269 271 60 60">
<title>
Ptit Libé
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Sur vos écrans cette semaine
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Screenshot : «Vape Wave», «6 Days», «Alphonse Président»…
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<span class="authors">Par <span class="author"><a href="https://www.liberation.fr/auteur/5631-alexandre-hervaud">Alexandre Hervaud</a></span> et <span class="author"><a href="https://www.liberation.fr/auteur/17350-jeremy-piette">Jérémy Piette</a></span></span> — <span class="date"><time datetime="2017-11-24T18:42:20">24 novembre 2017 à 18:42</time></span>
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<span class="desc">«Vape Wave», «6 Days», «Alphonse président» et «Braguino»</span> <span class="copy">DR</span>
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<h3>
Pour dépasser le tabac
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<strong><em>Vape Wave</em> (documentaire, 1h28, Planète+)</strong>
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</p>
<p>
Pendant quelques jours, le doute a plané : l’Etat comptait-il vraiment légiférer contre la cigarette dans les films français, que ce soit via une interdiction pure et simple ou via un système de «punition» (coupe des aides CNC, par exemple) pour les longs-métrages qui sentent le mégot ? Si <a href="https://www.liberation.fr/direct/element/agnes-buzyn-assure-quelle-na-jamais-envisage-linterdiction-de-la-cigarette-au-cinema_73855/" target="_blank">le rétropédalage de la ministre Buzyn</a> n’en est pas vraiment un (elle n’avait jamais clairement menacé le septième art), la polémique a le mérite de pointer la (sur)représentation clopesque sur écran. Et si, comme c’est le cas dans la vie quotidienne, on voyait progressivement les cigarettes électroniques remplacer les tiges nicotinées authentiques ? Que ceux qui mettraient en doute le potentiel cinématographique des vapoteuses se ruent sur <a href="http://www.vapewave.net/" target="_blank"><em>Vape Wave</em></a>, documentaire militant signé Jan Kounen, ex-fumeur reconverti à la vape dont les images magnifient les volutes de vapeur recrachée.
</p>
<p>
Si le film du réalisateur de <em>Dobermann</em> et <em>99 Francs</em> part un peu dans tous les sens, il a le mérite de défendre avec une passion contagieuse ce qui semble, de loin, être <a href="https://www.liberation.fr/societe/2015/08/20/une-e-cigarette-tres-frequentable_1366687" target="_blank">le meilleur et plus sain substitut à la clope</a>, n’en déplaise aux mesures restrictives imposées en France <a href="https://www.liberation.fr/france/2017/10/03/la-cigarette-electronique-bannie-de-certains-lieux-publics_1600601" target="_blank">à son égard</a>. Financé en partie via crowdfunding, le documentaire a été présenté par Kounen à travers toute la France lors de projection tenant quasiment de l’évangélisation. Disponible en VOD/DVD, il a été diffusé cette semaine sur la chaîne Planète+, qui le rediffusera les 25/11, 30/11 et 02/12 prochains. <strong>(Alexandre Hervaud)</strong>
</p>
<h3>
Pour écouter parler un génie
</h3>
<p>
<strong><em>Dans la tête d’Alan Moore</em> (websérie documentaire, 8x5min, Arte Creative)</strong>
</p>
<p>
<iframe width="100%" src="https://www.youtube.com/embed/s_rw5fPHz2g" frameborder="0" allowfullscreen="allowfullscreen" data-aspect-ratio="0.5625" data-responsive="1"></iframe>
</p>
<p>
Le week-end dernier, <em>Libération</em> publiait <a href="http://next.liberation.fr/livres/2017/11/17/alan-moore-dernier-barde-avant-la-fin-du-monde_1610854" target="_blank">un portrait de der consacré à l’auteur britannique Alan Moore</a>, connu pour ses BD cultes (<em>V pour Vendetta, Watchmen, From Hell</em>), à l’occasion de la sortie de son deuxième roman, le pavé <em>Jérusalem</em>. En attendant l’imminente sortie d’une version longue de son entretien avec <em>Libé</em>, on pourra se replonger dans les épisodes d’une websérie documentaire d’Arte Creative en 8 épisodes consacré au maître. Brexit, magie, Anonymous font partie des sujets discutés avec le maître au fil de ce programme sobrement intitulé <a href="https://www.arte.tv/fr/videos/RC-014342/dans-la-tete-d-alan-moore/" target="_blank"><em>Dans la tête d’Alan Moore</em></a>. <strong>(A.H.)</strong>
</p>
<h3>
Pour honorer la mémoire d’une icône queer
</h3>
<p>
<strong><em>The Death and Life of Marsha P. Johnson</em> (docu, 1h45, Netflix)</strong>
</p>
<p>
<iframe width="100%" src="https://www.youtube.com/embed/pADsuuPd79E" frameborder="0" allowfullscreen="allowfullscreen" data-aspect-ratio="0.5625" data-responsive="1"></iframe>
</p>
<p>
Marsha, la <em>«Rosa Parks du mouvement LGBTQ»</em>. Marsha <em>«la prostituée, l’actrice et la sainte, modèle d’Andy Warhol»</em> ou encore Marsha l’élaborée, la radicale, <em>«avec ses plumes et ce maquillage qu’elle ne mettait jamais bien»</em>. «Queen Marsha» a été retrouvée morte dans l’Hudson en juillet 1992, alors qu’on la voyait encore parader dans les rues de Greenwich Village quelques jours auparavant. Un choc glaçant. Là où son corps a été repêché puis ingratement déposé, les sans-abri ont constitué le lendemain un mémorial de bouteilles et de plantes qui délimitent les contours de l’absente.
</p>
<p>
Marsha P. Johnson de son nom complet, icône queer, femme transgenre noire américaine et emblème de la lutte pour les droits des LGBTQ avait été l’une des premières à s’engager lors des émeutes de Stonewall à New York, en 1969 : <em>«C’est la révolution. Dieu merci.»</em> Marsha était une fleur souriante au parfum d’espoir. Le documentaire <em>The Death and Life of Marsha P. Johnson</em> du cinéaste David France relate l’enquête de l’activiste Victoria Cruz, membre de l’organisation Anti-Violence Project à New York qui, avant de prendre sa retraite, réclame que lumière soit faite sur la disparition de l’icône […] <a href="http://next.liberation.fr/cinema/2017/11/17/docu-marsha-p-johnson-unique-en-son-genre_1610846" target="_blank">Lire la suite de la critique de Jérémy Piette sur Libération.fr</a>
</p>
<h3>
Pour Michel Vuilermoz (et rien d’autre)
</h3>
<p>
<strong><em>Alphonse President</em> (série, 10x26, OCS Max)</strong>
</p>
<p>
<iframe width="100%" frameborder="0" src="https://www.dailymotion.com/embed/video/x67iqc9" allowfullscreen="allowfullscreen" data-aspect-ratio="0.5625" data-responsive="1"></iframe>
</p>
<p>
Un temps baptisée <em>French Touch</em>, la série <em>Alphonse Président</em> est le dernier né des programmes originaux made in OCS. On savait les budgets de la chaîne bien moins généreux que ceux de Canal+ (voire que ceux de France 3 Limousin), et cette série le prouve à nouveau régulièrement, notamment lors d’une scène de conférence de presse alternant plans larges d’une authentique conf' à l’Elysée période François Hollande et plans serrés d’acteurs filmés dans un château des Pays de la Loire où a eu lieu le tournage. Le principal atout (et quel atout) de cette série écrite et réalisée par Nicolas Castro (<em>Des lendemains qui chantent</em>, 2014) réside dans son interprète principal, Michel Vuillermoz.
</p>
<p>
Dans le rôle d’un sénateur ringard devenu par un concours de circonstances président de la République, ce pensionnaire de la Comédie-Française et complice d’Albert Dupontel fait des merveilles, notamment lorsque le scénario lui prête des répliques enflammées typiques de la langue de bois politicienne – pas étonnant qu’il brasse du vent, son personnage de prof d’histoire retraité s’appelle Alphonse Dumoulin. C’est lorsqu’il n’est plus à l’écran que les choses se gâtent : si Jean-Michel Lahmi (de la bande d’Edouard Baer) fait le job en grand patron des flics, difficile de croire une seconde à Nabiha Akkari dans le rôle de la Première ministre – et pas uniquement parce que l’idée d’avoir une femme trentenaire issue de la diversité à Matignon sonne hélas comme un doux rêve en 2017. Si, en matière de fiction politique sérieuse, un <em>Baron Noir</em> n’a pas grand-chose à envier à un <em>House of Cards</em>, côté comique la France est encore loin d’avoir son <em>Veep</em>. Gageons que la génération LREM saura largement inspirer des scénaristes moqueurs. <strong>(A.H.)</strong>
</p>
<h3>
Pour les coulisses d’un tournage dément
</h3>
<p>
<strong><em>Jim & Andy</em> (documentaire, 1h33, Netflix) </strong>
</p>
<p>
<iframe width="100%" src="https://www.youtube.com/embed/kB15UFO5ebA" frameborder="0" allowfullscreen="allowfullscreen" data-aspect-ratio="0.5625" data-responsive="1"></iframe>
</p>
<p>
A la sortie de <em>Man on the Moon</em> (2000), le magnifique film de Milos Forman consacré à Andy Kaufman – comique et génie de la performance absurde mort en 1984 –, le cinéaste et les acteurs insistaient dans chaque interview sur l’incroyable comportement de Jim Carrey pendant le tournage : il aurait été comme possédé par Kaufman, se prenant pour lui 24 heures sur 24. Certains affirmaient même ne jamais avoir eu l’impression que l’acteur était présent, tant son modèle avait littéralement pris sa place. Nous en avons aujourd’hui la preuve en images car tout cela avait été filmé par Bob Zmuda et Lynne Margulies, l’ancien complice et la veuve de Kaufman.
</p>
<p>
Dans le passionnant <em>Jim & Andy : the Great Beyond</em>, disponible sur Netflix, Chris Smith a monté ces documents inédits parallèlement à un entretien dans lequel Jim Carrey revient sur cette expérience unique. <a href="http://next.liberation.fr/cinema,58" target="_blank">Lire la suite de la critique de Marcos Uzal sur Liberation.fr</a>
</p>
<h3>
Pour un trip sibérien en totale autarcie
</h3>
<p>
<strong><em>Braguino</em> (documentaire, 50min, Arte)</strong>
</p>
<p>
<iframe width="100%" src="https://www.youtube.com/embed/OIS-P-0-cRk" frameborder="0" allowfullscreen="allowfullscreen" data-aspect-ratio="0.5625" data-responsive="1"></iframe>
</p>
<p>
La querelle peut se trouver derrière toutes les portes, y compris celle de l’exil. On a beau croire avoir tourné le dos à tout, à cette inclination humaine à nourrir sa propre haine, l’allergie peut regermer fissa sur une peau qui frissonne à l’approche de ce voisin que l’on ne comprend pas. Issu d’une lignée de vieux-croyants orthodoxes russes, Sacha Braguine a pris sa famille sous le bras, loin de toute autre présence humaine en taïga sibérienne. Un autre groupe, les Kiline, a décidé d’en faire de même et de s’installer de l’autre côté de la rivière. Qui est arrivé en premier ? Qui menace l’autre ? L’histoire de l’impossible communauté peut commencer.
</p>
<p>
La lecture d’<em>Ermites dans la taïga</em> (1992) de Vassili Peskov, authentique récit sur la famille Lykov opérant une migration similaire en 1938, a poussé l’artiste <a href="http://next.liberation.fr/images/2017/09/29/clement-cogitore-j-essaye-de-raconter-les-terreurs-profondes-de-l-etre-humain_1599854">Clément Cogitore</a> à rencontrer les Braguine, puis à se faire témoin de la bisbille de voisinage en 2016. Il en est revenu avec un nouveau film d’une cinquantaine de minutes : <em>Braguino,</em> soutenu par le prix Le Bal de la jeune création avec l’ADAGP.<em> </em>Le documentaire y frôle son déguisement fictionnel, tant ce qui s’y déroule convoque une dramaturgie comme invoquée par on ne sait quel rituel vaudou […] <a href="http://next.liberation.fr/cinema/2017/10/30/braguino-prises-de-bec-dans-la-taiga_1606859" target="_blank">Lire la suite de la critique de Jérémy Piette sur Liberation.fr</a>, le film diffusé cette semaine sur Arte est visible en intégralité ci-dessus.
</p>
<h3>
Pour un thriller tiré de faits réels
</h3>
<p>
<strong><em>6 Days</em> (film, 1h34, Netflix)</strong>
</p>
<p>
<iframe width="100%" src="https://www.youtube.com/embed/7HthiTi_IcI" frameborder="0" allowfullscreen="allowfullscreen" data-aspect-ratio="0.5625" data-responsive="1"></iframe>
</p>
<p>
Fin avril 1980, l’ambassade d’Iran à Londres a été le théâtre d’une prise d’otages largement médiatisée : une trentaine de personnes ont ainsi été retenues pendant six jours par des soldats iraniens dissidents exigeant la libération de 91 prisonniers. Avec Margaret Thatcher au 10 Downing Street à l’époque, pas question pour l’Angleterre d’avoir l’air mou du genou sur la réponse à apporter à cette crise scrutée par les caméras du monde entier. Le SAS (Special Air Service) est sur le coup : l’opération Nimrod se met en place pour prendre d’assaut l’ambassade.
</p>
<p>
Inspiré par cet épisode, <em>6 Days</em> de Toa Fraser (<em>The Dead Lands</em>, 2014) est un thriller carré pouvant compter sur l'autorité naturelle de Mark Strong (<em>Kingsman</em>) ici recyclé en flic londonien et sur la néo-badass attitude de Jamie Bell, bien loin du freluquet danseur de <em>Billy Elliot</em> puisqu'on le retrouve ici en soldat chargé d’organiser l’opération de secours. Attention, la bande-annonce ci-dessus dévoile à peu près l’intégralité des scènes d’action du film. <strong>(A.H.)</strong>
</p><span class="authors"><span class="author"><a href="https://www.liberation.fr/auteur/5631-alexandre-hervaud">Alexandre Hervaud</a></span> , <span class="author"><a href="https://www.liberation.fr/auteur/17350-jeremy-piette">Jérémy Piette</a></span></span>
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